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Academic Work

My graduate work at Columbia was in Shakespeare, a subject I taught happily for forty years.  I became seriously interested in women’s issues when I started teaching at Scripps, a women’s college, and began working up courses on women.   My first book, The Woman’s Part: Feminist Criticism of Shakespeare ​(University of Illinois Press, 1980), an anthology I co-edited with two other women, looked at Shakespeare from a feminist perspective.  We were among the first to take this approach to such a  canonical author. 
 
I then found myself writing on women novelists and feminist theory, and this issued into the next few books:  Making a Difference, an anthology I co-edited with Coppelia Kahn (Methuen, 1985, reissued Routledge, 2002) and Changing Subjects:  The Making of Feminist Criticism, co-edited with Kahn (Routledge, 1993, reissued 2012), a collection of essays by second wave feminists describing how they became feminist scholars.   It was exciting to be a part of early feminist scholarship;  we felt giddy with the possibility of change.   Little did we know.
 
In Changing the Story:  Feminist Fiction and the Tradition (Indiana University Press, 1991), I looked at how writers like Doris Lessing, Margaret Atwood, Margaret Drabble reworked traditional  conventions to allow new possibilities for women;  no longer did novels necessarily end with the marriage or death of female protagonists.   Feminist fiction, I discovered, helped make the women's movement, playing a major role in consciousness raising.   My next book was a single-author study of Doris Lessing, The Poetics of Change (University of Michigan Press, 1994).   After that, I wrote no more literary criticism, turning instead to other subjects.
 
Of the dozens of articles I published in scholarly journals such as Signs, Contemporary Literature, Renaissance Drama, Studies in English Literature, many have been reprinted in anthologies and collections (as in Blackwell’s Shakespeare:  An Anthology of Criticism and Theory, 1945-2000, ed. Ross McDonald,  2004).  
 

​Here's a lecture where I talk about these changes.

Someone dug this old article of mine out of the archives;  it turns out to be painfully relevant today.

Faculty profile

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​
In Changing Subjects, I wrote a piece,  “Leaving Shakespeare,” about why I'd stopped writing about Shakespeare and turned to women writers.   It's been a few decades now since I've written about women writers, but in the book I'm just finishing, Shakespeare has moved to the fore, a best defense of the liberal arts, of the humanities, of humanism.   So here I am, writing about Shakespeare again.  You really never know. 

​And that, my friends, is my life so far…

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